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#1 (permalink) |
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EXECUTIVE MODERATOR
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The hotel scene....
Debate this... Was Anton Chigurh in the same room as TLJ's during that scene? I have read a few different scenarios. Obviously it's where TLJ's realizes he is scared and "over matched," Thus his retirement. When he walks up to the motel, there are 2 doors that are closed off, is this a metaphor in terms of him having a 50/50 chance of picking the wrong/right room with Anton in it? Sort of like the heads and tails coin tossing? Or, Was Anton in the room? or, Was it a to state TLJ's fear of what he might find in the room? Thus a scaring him and making him believe that he was in the room. Whjen he goes in and doesn't see him, I feel the "ghost" comment might come into play, especially seeing that the window was locked shut. I understand the rest of the movie and how Anton got the money and him giving the kids a $100 bill signified/verified this. He got the money because he knew it was in the air duct from the previous motel. Therefore, he killed Llewelyn and took out the money. Hence the dime on the ground. He had nothing but coins in his pocket up until the end. Did anton go back to the crime scene to get the suitcase? I think this could have happened too because he would not have had time to get it at the time of the murders...thus the hiding in the other room. When they left the scene, he went back and got the money from the duct? And I understand the end when it "cuts" to black and not fades to black. I understand that all characters were basically all the same and already dead inside. And I understand the stories at the end about his dad and the one he had with the old man with the cats. This movie I thought was badasss. Anybody else notice that there was no musical to the movie? BMJ ![]()
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"No researcher has made a human bigger than a dumb-shit bodybuilder."---Dan Duchaine (12/18/97) BMJ...aka...."SPANKY" Last edited by MR. BMJ; 03-29-2008 at 02:11 PM.. |
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#2 (permalink) |
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EXECUTIVE MODERATOR
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I just watched through the scene again....and it clearly shows him enter the room of the door that Anton is behind because it showed the light coming through the keyhole.
However when he opens the door, it slams against the wall. Is this just supposed to be symbolic that Antone is a ghost and too much for TLS? or, Did he slip out the fron door while TLJ went to the back room with the window? BMJ ![]()
__________________
"No researcher has made a human bigger than a dumb-shit bodybuilder."---Dan Duchaine (12/18/97) BMJ...aka...."SPANKY" |
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#3 (permalink) |
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Gold Member
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I think u should put spoiler alert at the top of the thread bro...
I know I didn't like the ending, that's all i can tell you. Everything from that last motel scene on felt rushed and confusing. I'll have to actually put my thinking cap on and try and dig deeper ![]() |
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#4 (permalink) |
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The new bad guy
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I loved this movie.
The lack of music really showed off the talent of the Coen Brothers. Not that they need to show off, but creating what they did without having to use musical cues was pretty amazing. As for the question of the money, Chigurh did get it, and whether or not he was in the room is a damn good question. I felt like he was, but until now I didn't really get too much deeper into thinking about it. My thoughts, although not completely formed yet: The main thing about the scene was the metaphor inherent in it. It was the moment that change dictates our terms in life - Ed Tom was in above his head, as you said, but it was more about him making the choice to quit then and there. The second he made that choice, Chigurh couldn't touch him, as Ed had not seen Chigurh yet. Chigurh had the choice taken away from him... in other words, fate couldn't decide with the flip of a coin, since Ed had walked away before tempting fate. Notice what he says often in the film, about being seen? The accountant asks if he's going to shoot him, and Chigurh responds "That depends. Do you see me?" He also then tells the kids "you didn't see me". The coin flip basically seemed to apply to people who were good. Chigurh killed many without, but they basically had something rotten going on it seemed like. He loses further when the next person, Carla Jean, refuses to play a part. Chigurh killed her anyway and lost what he was... his role as a figurative agent of death. Once he decided to supercede fate by killing her anyway, he lost that ability, and it cost him. Fate turned on him... from out of nowhere. He saw that even he couldn't escape the future and fate... the car wreck (fate) and being helped by the two children (the future). The future idea was important. Ed realized that he had no place in it, given his current role... hence the title of the movie "No Country for Old Men". Chigurh saw the future, and in it he realized that even fate would catch up to him, and he too, would have no place in it. He could run, but eventually it'd get him again. |
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#6 (permalink) |
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EXECUTIVE MODERATOR
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Biter, that was phenomenal. Thanks for that. That makes sense in the Motel though. I was wondering why he didn't just kill him like he did the others, and I thought it took away from his character of what he stood for the whole time. However, after reading what you wrote, that really makes sense.
I really thought this movie was thought provoking and just flat out different and cool. I think a lot of people didn't understand the ending, hence the reason why they didn't like it.....and couple that with the fact that if you glanced away for 2 seconds you missed it by looking up to a black screen and credits. The ending....well, ended out of nowhere. I thought it fit the movie though...imo. I seen on a search about this movie that Old Buzzard BJAARKI didn't like it....what a puts!!! ![]() BMJ ![]()
__________________
"No researcher has made a human bigger than a dumb-shit bodybuilder."---Dan Duchaine (12/18/97) BMJ...aka...."SPANKY" |
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#8 (permalink) |
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Gold Member
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Thanks for the suggesting IG, I will check out both.
BMJ.. it *WAS* a great movie... I just get conflicted a little with film. Part of me likes being challenged, likes having to do some thinking and putting some pieces together.... and part of me just wants a good satisfying ending. I think there is a difference between a simple color by numbers ending and a satisfying one. I didn't leave the movie with a good feeling. The first 5/6ths had a plodding, detail oriented pace... and then the last portion of the movie... we didn't even get to SEE the most pivotal scene, we didn't get to SEE the protagonist's part in the story conclude, and we got a mysterious 1 minute conversation to wrap it up. Just didn't fit for me. But this movie definitely deserves a second watching.. so I can find some of those clues. |
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#9 (permalink) |
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Caveman on Tren
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I agree. I appreciate movies that "hide the ball" and make us think for days after watching it. But here, I really thought the ending was rushed and put together too quickly. There was so much buildup throughout the film, and just to show Josh Brolin's character dead like that was a huge let down. I also didn't like how there was barely (if any?) music. A good score would have done wonders.
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#10 (permalink) | |
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Rara avis *Bunny*licious
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Ill have to watch it again after reading Biter's synopsis. Thank you for that. |
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#11 (permalink) | |
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The new bad guy
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No problem at all ![]() It was a bit off the cuff, due to the fact that I haven't seen it in awhile. I should probably rent it again and watch. It helps when this is part of my job to break down stories like this though. |
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#14 (permalink) |
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Gold Member
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i watched this movie last week on vacation.....this movie almost ruined it for me! i can honestly say i was more entertained watching the mist. i thought this movie sucked big time and the ending was an incredible disappointement. i don't understand how it won best picture....
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#15 (permalink) |
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ROLL TIDE !
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This movie was deep with a lot of symbolism, but with that said, it left too much to the imagination and too many questions. I agree that the killer behind the door thing had to be a production error. The door clearly goes to the wall, no way the killer could be behind it, but its clearly the same door. I think BMJ has looked at it from every angle and has it about right...because I think they wanted viewers to have those questions.
BUT, I thought that the mexicans who raided the hotel in that jeep took the money? Maybe I missed something.... Great movie with a horrificly bad ending. Hollywood just doenst know how to end movies anymore. I am legend is another prime example.
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"A nation of well informed men who have been taught to know and prize the rights which God has given them cannot be enslaved. It is in the region of ignorance that tyranny begins." -Benjamin Franklin |
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#16 (permalink) | |
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EXECUTIVE MODERATOR
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Quote:
BMJ ![]()
__________________
"No researcher has made a human bigger than a dumb-shit bodybuilder."---Dan Duchaine (12/18/97) BMJ...aka...."SPANKY" |
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